Fade automation / strange signal processing
Posted: Wed Jan 28, 2015 12:37 pm
Hi,
I'm wondering what approaches you are using to automate fading in/out of machines/tracks. Do you put a gain controller in between and control it via some peer controll, or do you simply use DedaCode's or Ninereeds Autofade machines? Or anthing completely different?
I'm asking because I've used Ninereed's AutoFade for as long as I can remember and now after having upgraded my monitor speakers I noticed a change in the ingoing signal even without doing any fading. The lower-end frequency part seems to be cut off or at least turned down and there are some changes in other frequency areas as well. Same happens when I put DedaCode's fader between a Mathilde Tracker and the Master, putting a simple Jeskola Gain there would leave the ingoing signal as it is and actually just take care of the gain, but I lack ideas to come up with an automated fade as easy as with the autofaders.
So, well, that's why I'm wondering how you do it and if there are other ways to easily setup fades?
I've made short examples of what I mean by strange signal processing, using a short wav beat loop.
Mathilde Tracker -> Master
Mathilde Tracker -> Ninereeds AutoFade v1.0 -> Master
Mathilde Tracker -> DedaCodes Fade -> Master
Mathilde Tracker -> Jeskola Gain -> Master
Thanks,
Sebastian
(I'm working at 44.1 and more often at 88.2Khz at the moment on a Windows 7 64Bit machine with the 32Bit version of Buzz installed)
I'm wondering what approaches you are using to automate fading in/out of machines/tracks. Do you put a gain controller in between and control it via some peer controll, or do you simply use DedaCode's or Ninereeds Autofade machines? Or anthing completely different?
I'm asking because I've used Ninereed's AutoFade for as long as I can remember and now after having upgraded my monitor speakers I noticed a change in the ingoing signal even without doing any fading. The lower-end frequency part seems to be cut off or at least turned down and there are some changes in other frequency areas as well. Same happens when I put DedaCode's fader between a Mathilde Tracker and the Master, putting a simple Jeskola Gain there would leave the ingoing signal as it is and actually just take care of the gain, but I lack ideas to come up with an automated fade as easy as with the autofaders.
So, well, that's why I'm wondering how you do it and if there are other ways to easily setup fades?
I've made short examples of what I mean by strange signal processing, using a short wav beat loop.
Mathilde Tracker -> Master
Mathilde Tracker -> Ninereeds AutoFade v1.0 -> Master
Mathilde Tracker -> DedaCodes Fade -> Master
Mathilde Tracker -> Jeskola Gain -> Master
Thanks,
Sebastian
(I'm working at 44.1 and more often at 88.2Khz at the moment on a Windows 7 64Bit machine with the 32Bit version of Buzz installed)