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Radio show about Buzz and tempo electro

Posted: Thu Oct 01, 2015 11:28 am
by magmavander
Hi all,

I've been invited at a french radio called Radio Active with the guy who created the "Tempo Electro" festival to speak about the festival and about Buzz :dance:

It's in french, sorry, but here is the record of the show, called bpm :

http://podcasts.radio-active.net/2-mard ... 150929.mp3

I speak around 00:47 minutes

Thanks

PS : I will need your help to prepare my conference, mainly about playing live with Buzz.

PS2 : thanks jennyrave ;)

Re: Radio show about Buzz and tempo electro

Posted: Thu Oct 01, 2015 2:51 pm
by mridlen
I'd be happy to explain how I use Buzz in a live performance setting if you are interested, but it's mostly just as a live VST host (and it actually works pretty well at that, IMO)

Re: Radio show about Buzz and tempo electro

Posted: Fri Oct 02, 2015 12:55 pm
by magmavander
mridlen wrote:I'd be happy to explain how I use Buzz in a live performance setting if you are interested, but it's mostly just as a live VST host (and it actually works pretty well at that, IMO)
Oh yes, I'd be very interested. Thanks very much!!

Re: Radio show about Buzz and tempo electro

Posted: Fri Oct 02, 2015 6:14 pm
by mridlen
I'll give you as much information as I can. I play live in 3 bands/projects: Cyclic Vendetta (post hardcore metal), X1stance (synthpop / electronic rock), Encoder Logic (electronic). I use the same basic setup for live performance on all 3. I play the backing tracks from Windows Media Player or Foobar2000. I have a Kurzweil PC3 keyboard that I use mainly as my controller, connected via USB to my laptop. Sound comes out of the laptop from my M-Audio Micro interface (they don't make them anymore sadly). With Cyclic Vendetta, I also take audio input from my keyboard and send it through Buzz and out through the interface. I just have to design my splits carefully with some of the split programmed in on the keyboard and some of it programmed in Buzz. On to splits: I use 3 things right now for splits. First is the easiest: IXSplit, since you can graphically design your splits it makes it easier. However, it doesn't have pitch bend, aftertouch or mod wheel and I sometimes need those things. So in those cases, I set the range manually in the Polac VSTi settings for each part. Yes it is more time consuming, but still way easier that doing the same thing on my Kurzweil. The other kind of split I use is built in to the Jeskola XS-1. It is really useful for designing multi-layered orchestral patches (up to 16 layers). You need to select your MIDI channel in the interface for each layer. Speaking of MIDI channels, I use usually 1 channel per song (although sometimes I change channels mid song). So for each song I'll have my keyboard split, and it will be set on a MIDI channel. I keep a set list in the "blah blah" section (Info View is the technical name although I've never called it that) of Buzz, so that I can keep track of key signatures and which instruments I'm playing on that song. Something I put in the "blah blah" section is a big warning message that says "DON'T FORGET TO LOCK TO MASTER". If you don't lock the MIDI to something like Master that doesn't take any MIDI signals, if you accidentally click on a VST or Buzz instrument it will play the instrument that has focus, and the instrument that is assigned to the MIDI channel you are on (I think this only affects MIDI channel 1, but it's really annoying when it happens. I group each MIDI channel into a MixIO and then each MixIO into another MixIO and then send that through a Jeskola Limiter. I like Jeskola Limiter because it's light on the CPU, has no detectable latency, and sounds good.

Here's a project file from my latest show that should help explain visually: https://www.dropbox.com/s/fsdndwwb0bc0g ... 7.bmx?dl=0

I end up using mostly VSTs, but definitely nothing against the Buzz gens, especially Infector and Qsamo which are 2 of my favorite synths.

Hope that helps. Let me know if you have any questions.

Edit: One of the things about IXSplit is that you need to have enough tracks for the polyphony you need. So if you need 10 note polyphony, you need 10 tracks. Also, if you are doing layered tracks on the same instrument (e.g. octaves), you need to set the mode to "Matched" and set the base track of each so that they don't conflict with each other. So add more tracks, set each zone to "Matched", and use a different offset for each.

Re: Radio show about Buzz and tempo electro

Posted: Fri Oct 02, 2015 9:22 pm
by magmavander
Houlala! :D Thanks a lot.
I will read this carefuly and download your example. Lot of the stuff you're speaking about are a bit far of my knoweldge atm but this is sure an important help :idea:
Thanks beaucoup.

Re: Radio show about Buzz and tempo electro

Posted: Mon Oct 05, 2015 1:25 pm
by Buzztler
:dance: First of all thanks for the link to the show ... enjoyed the 00:47 minutes and some oldschool stuff in the rest of it (guess you know what I mean) ... cool and laudable how engaged you are to announce Buzz to the public ... :ugeek:

;) Second: I sometimes did some experimental live recording with midi-gear in the past (as you might remember some of the tracks are available on buzztunes).

I find the easiest way to connect some midi-input-gear is by using Polac-Midi-In. I have two cheap midi-keyboards at the moment which I connect to some VST-synths, or a soundfont (sf2) player. One of the keyboards has a multioutput of midi-data (drums, keys, lead etc.), but it has no touch sensitivity, so organ-sounds may still work good for live-performance and also drum triggering makes sense to me. The second keyboard has touch sensitivity, but delivers only one channel into the pc, the other channels are blocked, so this is useful for expressive play.

Finally I own a small korg-controller with knobs and sliders, which can be connected to some controller knobs of some VSTi-Synth, VST-effects or can control buzzmachines/effects that control other buzzmachines/effects :) ... there is a midi-learn function in Polac-VST-Loader, so assigning the knobs really isn't difficult ... .

It can be really fun to play a track live into Buzz, even if there is no audience at all ... .

Take care and happy "buzzing"